ART Pro Audio - Tube MP/C PreAmplifier/Compressor
ART Pro Audio - Tube MP/C PreAmplifier/Compressor is backordered and will ship as soon as it is back in stock.
Couldn't load pickup availability
50 years of expertise
50 years of expertise
Over 50 years of expertise and an exceptional 4.8 ★ rating on Google. Our reputation is built on your satisfaction. We'll be there for you whenever you need us.
Shipping
Shipping
Shipping is free for all purchases of $249 or more.
Delivery policy
BEST PRICE GUARANTEE!
If you find the same new, in-stock product offered by an authorized retailer at a lower price, we promise to match that price.
Payment and security
Payment methods
Your payment information is handled securely. We do not store or have access to your credit card details.
Description
The Tube MP/C (PreAmplifier/Compressor) is a multi-purpose tool for audio engineering and recording. Two independent circuits featuring a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction control are housed in one, convenient desk-top chassis. Used as a mic/line preamp or as a DI (direct) box, the Tube MP/C is designed to work seamlessly with any recording, sound-reinforcement, or electronic instrument setup. A R T's Tube MP/C circuitry is a hybrid design utilizing the latest, most advanced, solid-state and tube technology.
The preamplifier's active balanced solid-state input provides extremely low noise and excellent common mode rejection. The -inch high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier's second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20dB of gain.
The compression circuit features a VCA-less design and utilizes optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance.
Features
• Tube-based mic/line preamplifier with up to 80 dB of gain
• Hand-selected 12AX7a tube
• Optical (VCA-less) compressor circuitry = transparent dynamics control
• -inch unbalanced inputs and outputs
• XLR balanced inputs and outputs
• Transformer isolated XLR output
• Selectable output range for Line/Instrument interface levels
• LED meters for Tube Warmth, Gain Reduction and Output level
• +48V phantom power
• Phase reversal switch
• Selectable release time settings
• > 90dB dynamic range
• Custom extruded aluminum chassis
Specifications
Frequency Response: 30 Hz 60 kHz +/- 1 dB balanced output, 20 Hz 60 kHz +/- 1dB 1/4" output
Total Harmonic Distortion: < 0.1% @ max gain
CMMR: > 60 dB @ max gain
Equivalent Input Noise: -128dBu typical ("A" wtd., Shorted XLR balanced input, gain @ max)
Input Impedance: 1M ? 1/4" input, 5K ? XLR input
Input/Output Connections:
• Input: XLR balanced or 1/4" balanced
• Output: 1/4" unbalanced XLR balanced, transformer isolated.
Maximum Gain: +80 dB (balanced in-out, +64dB (unbalanced input, balanced output)
Maximum Input Level: unbalanced (Inst): +15 dBu, balancd (mic): +10 dBu
Maximum Output Level: +19 dBu (Line mode)
Output Impedance: XLR: < 600 ? / 1/4": < 300 ?
Low Cut Filter: -3 dB @ 70 Hz, 6dB/Octave
Phantom Power: Switch selectable, +48Volts DC, filtered, current limited
Power Requirements: 9VAC @ 1000mA (external)
Attack Time: < 1 ms (limit), 20 ms (comp.)
Release Time: 150ms (fast), 20ms 3s Program dependant (Auto)
Tube Type: Hand selected 12AX7a
Compressor Slope: 2:1 (Comp.) / 11:1 (Limit)
